The creative team
Core Creative Team
Leader & Artistic Director, Image in Motion Theater|Yau CHEN
For more than twenty years she has worked in computer animation and digital film visual effects, taking part in and leading the design and production of more than a dozen Hollywood theatrical films and other large-scale projects as animation director, art director, digital-effects supervisor, project director and head of production.
To explore how imaging technology can be applied to artistic creation, and to develop storytelling that fully merges with its setting, she founded Image in Motion Theater (IMT) in Taipei in 2000. Gathering visual artists, animators, performing artists, stage designers and engineers, the team researches and examines the possible connections between multimedia imagery and the performing arts, and the development of related applications.
From 2009 to 2013 she served as Art Director at the Creativity Center of the Industrial Technology Research Institute (ITRI), exploring how technology R&D and artistic expression can nourish and complement each other and drawing up a blueprint for experience design. She has been a visiting associate professor for courses on dance technology and audiovisual arts at the Graduate Institute of Dance, Taipei National University of the Arts, and has repeatedly designed music and imagery for fashion designer Xu Yan-ling (許艷玲)'s fashion shows.
Major Theater Works:
- Stage play 《Love · Quarantine》 (《愛隔離》) — Video Designer
- Façade light-show theater piece 《Memories under the Banyan Trees》 at the Weiwuying National Kaohsiung Center for the Arts — Lead Designer
- Immersive musical fantasy 《Voyage Undersea》 — Artistic Director & Lyricist
- Shanghai World Expo thematic show 《Window of the City》 — Co-writer, Lyricist & Creative Director
- Fully improvisational multimedia dance theater 《Wind, Flower, Snow and Moon》 (《風花雪月》) — Director & Music Director
- Animated dance theater 《Not a Love Story》 — Director
- Virtual-reality animated dance theater 《@Dream》 — Director
Major Film Works:
- 《Mortal Kombat》
- 《Batman》 (Parts 1–5)
- 《Matilda》
- 《For Richer or Poorer》
- 《Embracing the Big White Bear》 (《擁抱大白熊》), a Taiwanese film



Producer & Director in Chief|Serina CHEN
Upholding the ideal of “staying in step with the world, developing diverse cultural exchange, revealing the pulse of contemporary art, and bringing refined Chinese art to the international stage,” she has long devoted herself to curating performing arts, cross-disciplinary creation and international cultural exchange. In 1997 she founded the Taipei Arts International Association (TAIA), and as a professional curator she planned the first Taipei Arts Festival in 1998 and 1999. She later founded such international-scale festivals as the International City Arts Festival, the Taiwan International Dance Camp, the Taiwan World Music Festival and the National Performing Arts Expo, building an important platform that connects Taiwan's performing arts with the world.
Her creation and curation span theater, music, dance, multimedia performance and large-scale outdoor productions. In 2006 she led an international team in producing the arena-scale Mandarin musical 《In Love with Carmen》 starring A-Mei (Chang Hui-mei). In 2007 she planned and staged the immersive classical musical 《The Night Revels of Han Xizai》 on the plaza of the Hall of Supreme Harmony in Beijing's Forbidden City—the first private performing group in five hundred years to enter the inner gate of the Forbidden City. In 2010 she was invited to serve as executive producer and chief director of 《Window of the City》, the only thematic show hosted by the Shanghai World Expo; blending Chinese and Western perspectives with top-quality audiovisual technology, it ran more than 500 performances over 184 days, drew over 1.7 million visitors, and won Exhibitor Magazine's Best Presentation Award for Expo 2010.
In recent years she has continued to advance the cross-disciplinary integration of technology and theater. Major works include the interactive multimedia theater piece 《Fantasy Maze》, the large architectural projection light show 《The Story of Tainan—Giant Light, Wondrous Shadow》, the façade audiovisual light show 《Memories under the Banyan Trees》 at the National Kaohsiung Center for the Arts (Weiwuying), and, in 2016–2017, serving as general planner and artistic director of the cultural events of the Taipei Summer Universiade, successfully promoting the city's image. During the COVID-19 pandemic of 2023–2024 she created the stage play 《Love · Quarantine》, responding to a shared global experience through theater and showing the healing and caring power of art. Besides creative practice, she has long researched the cultural and creative industries, the ecology of the performing arts in Greater China and cultural policy; she has led many cultural-industry research projects and took part in the planning of Huashan and Songshan Cultural and Creative Parks. She has taught arts management, marketing and non-profit management at Fu Jen Catholic University, Taipei National University of the Arts, Soochow University and Chinese Culture University. A co-founder of the Taiwan Performing Arts Alliance and a long-serving executive director, she actively promotes cultural forums, builds consensus across the arts community and works toward a healthy arts ecology.
She is currently Artistic Director of the Taipei Arts International Association, and head and chief director of the Spectacle Arts creative team (奇觀藝術創作團隊). She was nominated by the European Festivals Association as one of the “world's best curators,” and her cross-disciplinary work continues to open new possibilities for contemporary performing arts between art, technology and public culture.




Creative Team
Visual Director|Liu En-lin (劉恩霖)
One of the founding members of IMT and a senior Taiwanese animation director and creator, an outstanding key-frame and animation designer in the 3D animation field who has designed and produced effects for many animated films. He has long been devoted to developing original animation, and is skilled at exploring emotional connections between people through delicate motion language and layered visual narrative. His solid technique and distinctive artistic vision have won recognition at film festivals at home and abroad. In 2013 he co-directed the animated short 《Gu》 with director Huang Shih-ming, which won the Excellence Award in the General Works category at the 37th Golden Harvest Awards and was selected for the 2014 Taipei Film Festival. In recent years he has directed the animated feature project 《Blue Runners》 (《長跑少年》), which was selected in 2025 for the Annecy International Animation Festival in France, known as the “Oscars of animation.”
Music Director & Composer|Hou Zhi-jian (侯志堅)
A well-known producer of pop and film music, recognized with multiple Golden Melody, Golden Horse and Golden Bell awards, who has shaped an important chapter of Mandarin music through cross-genre creation and deep musicality. An influential veteran music producer and composer, deeply versed in advertising and film/TV scoring, he is hailed as “the storyteller of the black and white keys.” His representative works include 《Blue Gate Crossing》, 《You Are the Apple of My Eye》, 《Our Times》 and 《Your Name Engraved Herein》. In 2011 he won Best Composer in the Instrumental category at the Golden Melody Awards for 《This Is the City》 (《這就是城市》), and twice won Best Original Film Score at the Taipei Film Festival, for 《The 36th Story》 (《第36個故事》) and 《Fan Bao-de》 (《范保德》). In 2018 he won Best Original Film Score at the Golden Horse Awards for 《Fan Bao-de》, and in recent years took Best Album in the Instrumental category at the Golden Melody Awards with the soundtrack of the film 《Xiu Xing》 (《修行》).
Dance & Movement Designer|Xiao He-wen (蕭賀文)
Active for many years in stage, theater and imagery creation as dancer, choreographer and movement designer, his work spans modern dance, classical dance and traditional Chinese opera, displaying a deep and diverse physical vocabulary. He took part, as choreographer and performer, in large-scale productions of Han-Tang Yuefu such as 《The Night Revels of Han Xizai》 and 《Ode to the Goddess of the Luo River》; he has also been invited to choreograph and design dance for Guoguang Opera Company's 《Three People, Two Lamps》 and 《Water Sleeves and Rouge》, building a delicate and dramatic body language between traditional performing conventions and contemporary theater aesthetics. He excels at starting from character, dramatic rhythm and visual composition, turning dance into part of the narrative and establishing precise relationships among actors' bodies, stage space and imagery. From traditional opera and modern theater to technology-driven cross-disciplinary productions, he has always infused works with vivid dramatic tension and vitality through a mature and compelling physical aesthetic.
Dance & Movement Designer|Cui Bing-yuan (崔秉媛)
In a choreography career of more than thirty years she has repeatedly won national-level dance awards, and has repeatedly led works to the Best Art Promotion and Showcase Program awards of the ROC Armed Forces Golden Image (Literature and Art) Awards. In 2015 her classical dance piece 《Flag-Defending Victory Command》 (《捍旗勝令》) won Best Choreography at the national student dance competition, demonstrating outstanding skill in large-scale group choreography and imagery-driven narrative. Adept at precisely deploying performers' bodies and stage space to suit each script, she balances artistic beauty and commercial market demands. With a solid traditional foundation and flexible cross-disciplinary thinking, Ms. Cui has always been an important force in Taiwan's theater and screen productions, connecting the soul of the body with imagery narrative.
Dance & Movement Designer|Zhang Wen-mei (張文美)
Currently Assistant Professor in the Department of Peking Opera at the National Taiwan College of Performing Arts. Beyond campus, she actively takes part in cross-disciplinary arts exchanges and outreach, exploring the narrative energy of traditional opera elements in cross-cultural theater. In landmark works such as 《Formosa Night Market》 (《寶島大夜市》) she put into practice the idea of “dramatizing acrobatics,” transforming folk skills that pursue technical limits into stage performance with emotional tension and plot, successfully breathing a modern soul into traditional technique. Her macro vision as a former Director of an arts center and Dean of Research and Development makes her not only an inheritor of craft but also an important aesthetic bridge linking traditional opera, acrobatics and contemporary film/TV cross-disciplinary productions.
Stage Designer|Huang Ri-jun (黃日俊)
Holds an MFA in Design and Technical Arts from Brooklyn College, City University of New York, and is currently the head of Shenrui Design & Production Co., Ltd. A graduate of the Department of Theatre at the National Institute of the Arts, he is active in Taiwan's theater and event-exhibition scene. His main stage design works include Performance Workshop's 《Big Widow's Bean Arbor》 (《大寡婦豆棚》), Taipei Ballet Company's 《La Dame aux Camélias》, Appearance Theatre Lab's 《Scenery III》 (《風景 III》), If Kids Theatre's 《Oh, Mommy!》 (《媽媽咪噢!》), and Cloud Gate 2's 《Bobo's Adventure—The Mystery of the Big Tree》 and 《Bobo's Adventure—The Mermaid's Wish》.
Lighting Designer & Technical Director|Jiang Guo-ning (江國寧)
A professional theater lighting designer and technical director working on both sides of the Taiwan Strait, and an expert in coordinating the technology of large-scale productions. Formerly Technical Director of the Taipei Arts International Association, his projects include the Shanghai World Expo thematic show 《Window of the City》, the 2014–15 tour of 《Voyage Undersea》, the stage play 《The Great Fortune-Teller》 (《大算命家》), the 2017 Weiwuying light show 《Memories under the Banyan Trees》, and the 2016–17 《Taipei Universiade Cultural Events》.






